Posts Tagged ‘London’
We’re very excited to have one last addition to the night we’re curating this Wednesday at The Book Club. Writer and curator Daniela Cascella will be joining us on our sound art panel, discussing sound-related practices from composition and storytelling to the issues involved in curating, presenting, documenting and archiving live sound works.
In her words:
“Not being a musicologist or a musician, I never seek to examine the construction of a sound piece per se – I am interested, rather, in what comes after the piece: in the space between the work and what occurs around it. Working in the realm of sound and all types of leakage, expansion and cross-border transitions of sound toward other art forms, I also had to search for new ways of presenting sound and discussing it.”
On 22nd June, we are holding a Variable 4 showcase, discussion and post-Aldeburgh celebration at The Book Club, EC2. We’ll be presenting the piece and showing audio and video excerpts, demonstrating how it works under the bonnet and introducing some of the musicians and technicians involved with the piece.
Alongside this will be an informal panel discussion on sound in art, featuring some luminaries within the field: producer Joana Seguro (Faster Than Sound, Lumin), curator Cecilia Wee (Sound and Music, Rational Rec), BAFTA award-winning sound designer Nick Ryan (The Fragmented Orchestra, Papa Sangre), and writer and curator Daniela Cascella.
We’ll then be doing an eight-channel DJ set featuring some of the spatialisation methods devised for the piece — controllled with a windvane and anemometer interface. The world’s first meteorological DJing, as far as we know.
The event runs from 7pm on 22nd June, just off Curtain Road, Shoreditch.
Much of the development of Variable 4 has taken place at Goldsmiths, University of London, split between the multiple studios of the EMS (former home to Daphne Oram and much pioneering electronic synthesis) and the GDS (new home to a cutting-edge motion capture setup with 3D audio and projections). We’ve also received logistical funding from the Goldsmiths Annual Fund, an excellent endeavour to support a diverse range of projects through alumnal donations.
We thus thought it apt to select Goldsmiths as the site of a showcase and public testbed for the installation, over the course of 6 hours yesterday. This turned out to be an invaluable dry run for the newly-enlarged score and algorithmic setup, and attracted a number of inquisitive visitors.
Over the winter months, we’ve been working on some blueprints for Variable 4′s next steps. We’ll shortly be making a formal announcement of what these will be; suffice to say, we’re thrilled at where it is going next.
In the meantime, we are talking about the project at this week’s Thursday Club, New Cross, an excellent weekly series of talks based at Goldsmiths, University of London.
We’ll be discussing the genealogy, development and concepts behind Variable 4, talking about how we see it fitting into both its cultural and physical landscape. For those of a technical disposition, we will have a look under the bonnet at how the software infrastructure is wired together. And, most excitingly, we’ll be giving a sneak preview of its next appearance.
Hope to see you there.
The international dorkbot events are the discerning dork’s destination of choice to hear of the latest tech hobbyism, electronic arts and DIY. We’ll be talking briefly about Variable 4 at this Tuesday’s dorkbotlondon #69, with as much of the weather station as we can carry (which may, admittedly, not be much).
Expect some discussion of algorithms, weather systems, collaborative practices, and unforeseen hardware hiccups.